A Writer’s Ego: Friend or Foe?

I’m not a big believer in writer’s block or in nurturing my “inner artist child,” partly because I worked as a newspaper reporter. At the newspaper, no one sipped tea or recited affirmations or took a stroll through the garden for inspiration. If you wanted to keep your job, then you met your deadlines. Period.

Creative writing, on the other hand, is, well, creative and therefore more mysterious. To become a writer, I’ve mostly followed the rules: reading as many great books as I could, earning my MFA, devouring (and, for a brief time, teaching) books on writing. Now, years into my apprenticeship, after scribbling on the bus and during my lunch hours, I have completed my first manuscript, which has received accolades from published writers and a professional editor. I feel that I am a writer now because I have written. But when it comes to being an author, I feel overwhelmed and a little lost.

I used to want to get published because I wanted a cushy tenure-track teaching job. It’s interesting how writing and teaching are so intertwined. My writing friends who work in cubicles like I do often feel like failures because they do not have a teaching job, as if teaching would mean they were “real” writers. But I’m not sure who is writing more: the teachers or the cube dwellers.

I also wanted to get published because I wanted validation. I wanted to be ordained by some unnamed group of real writers, who would take me into their fold and embrace me as one of their own. Regardless of our vocation, I think we all need to know that we are good enough, but is our hunt for “proof” counterproductive or is it helpful? Some writers in my tribe whom I admire have said very clearly that ego motivated them and heavily contributed to their eventual publication. Ego plays less of a role in my life than it used to, which worries me.

My memoir is about how I had to let go of some of that ego when I experienced chronic illness in my late 20s. Categories such as health/sickness, success/failure, happy/sad sort of broke apart and disintegrated, and I had to find a new way to order my life and to look at the world. I know this will sound un-American to some of you, but to a great degree, it doesn’t really matter whether I publish my book or not, not in the large scheme of things. Publishing my book, or not publishing my book, doesn’t define me.

I know that ego is still part of the process, though, because I feel afraid when I go to write my draft letters to agents, and when I try to revise my book description and brainstorm titles. Though it’s not true, I feel like I don’t know what I’m doing, like I have to read more books and hire a consultant. There is still a fear of failing. But I want to let go of that fear and find something else besides ego to hold onto that will motivate me to get through the next phase of my project. I think part of the fear is knowing that publication (unlike making time to write) is not totally in my control. I’m going to have to give up control over the manuscript, and that’s kind of scary.

If fantasies of fame and acceptance don’t appeal to me the way they once did, then what is going to make facing this fear worth it?

I keep coming back to this one idea: people will see themselves in my book, and they will feel less alone. Maybe there is still ego in this idea, but I do believe that my book could help people, the way many books have helped me.


Fun with Titles: How The Hell To Title a Book

I'm ConfusedThe very title of this post is a lie—titles are not fun. They are torture. I have no idea how to come up with a title for my book, except to imitate other people’s titles and pray for a miracle.

I thought I’d found the perfect title with By the Time I Turn Thirty. A good friend loved it. A writer I admire gave this scintillating review: “I don’t hate it.” But an experienced editor said I should find a more serious title, since I’d written a more serious book.

Over the weekend, I thought of two more titles:

(1)    Healthy Sick Happy Sad Success Failure: A Memoir

(2)    On the Other Side of Bright: A Memoir

Here were the reviews:


“I like the first one a lot.”

“What about the second one?” I asked.

“I don’t get it.”

“I’m not bright sided anymore. I’m not buying into all the self-help crap.”

“I still don’t get it.”


“I like On the Other Side of Bright best,” Friend 2 said. Since the book has something to do with Cystic Fibrosis, Friend 2 suggested I consider titles about breathing. “How about With Bated Breath?” he said. “It’s a nice allusion to The Merchant of Venice, which has that creepy ‘pound of flesh’ scene.”


“I don’t like either of them. And I never liked By the Time I Turn Thirty. I’m a picky bitch.”

Thank God for these people, even if I’m more confused than ever . . .

Is Publishing in Literary Journals Worthwhile?

Yesterday I submitted work to four journals: Word Riot, theNewerYork, Contrary, and Rivet. Submitting work takes time, especially when you’re first starting out. You have to find journals that might like your writing, which means conducting research (there are 4,941 markets listed in Duotrope, an online database and submission tracker service). Then choose, polish, and edit your piece; format your piece in such a way that it meets that particular journal’s requirements; write a cover letter; enter your credit card information (for contests, etc.); submit and track your submission. Rinse and repeat.

The truth is that comparatively few people in the general population read literary magazines, especially printed ones, most literary journals don’t pay anything, and most work that is submitted gets rejected. So why do I bother trying?

Is getting published in these journals about my ego, or is it about connecting with potential readers and fellow writers? Read More »